Tagged: Javier Bardem

Villeneuve’s sequel is a genre-bending sci-fi spectacle, pushing boundaries with its artistry and precision, solidifying it as a landmark achievement in modern cinema.

A spoiled, joyless exercise in Frankenstein filmmaking – and possibly the worst live-action Disney remake yet.

Self-aggrandized and stiff, Villeneuve’s rendition is more proof Herbert’s material may not be suited for cinema.

Darren Aronofsky’s disturbing but compelling allegory of what women give and how little they get in return.

Made in the spirit of fun and excitement, with plenty to marvel at in the ways of art direction and special effects.

Although a testament to Terrence Malick’s artistic vision, it’s story and message are not as accessible as they are in some of his other films.

A recommendable film, although I’m concerned that it marks the start of a regression to older, campier Bond films, where the emphasis was style rather than substance.

Despite its contrived story, Iñárritu directs a relatable saga of redemption and acceptance led by a strong performance from Bardem.