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A deeply personal film with effortless storytelling, Minari deftly portrays the cost of hard work and its effects on those around you.

Zhao’s picture helps us see a different lifestyle in our society and the people living it.

Misses the mark with an overly contrived, moralistic plot and a miscast Liam Neeson.

A beautiful, yet pointlessly dull and overly dark adaptation of the original story destined to put its intended audience to sleep.

Even a manic Nic Cage performance can’t save this boring, poorly-directed, badly-acted excuse for an action flick.

A bland, drawn-out story that unsuccessfully tries to capitalize on the magic found in Peter Pan and Alice in Wonderland.

Despite an engagingly stylized effort, Iannucci’s unique take on Dickens’ masterpiece doesn’t translate well to film.

An overproduced, disappointing sequel that lacks the fun sincerity of the first Train of Busan.

A superior sequel that’s a step up from its predecessor, even if can’t quite get its preachy message straight.

Ben Affleck’s powerful performance makes this story about alcoholism and male suffering one of 2020’s must see dramas.