A deceptively effective gangster flick that exudes tons of energy without the overuse of style as a crutch.

A high-concept effort with low stakes that befuddles as much as it underwhelms.

Meditative and thorough, Trier’s romantic saga captures the plight of generational paralysis brought on by hyper-access to information.

Soderbergh masterfully works within formulaic limitations to craft an intensely human, pandemic thriller.

Kinberg salvages a misandrist and often cliche-riddled action film with an unusual dedication to his all-female agents’ mission.

Coen’s Macbeth is still a visual masterpiece only made esoteric with the inclusion of 17th century blank verse.

Zhao can’t entirely shake Marvel’s stronghold, but finding the spirit of Jack Kirby helps her blockbuster still come out on top.

Takes zero risks with its story, characters, or stakes, Disney continues their recent streak of safe, familiar, and forgettable entertainment.

A Japanese slow burn that makes brilliant use of every frame of its 3-hour runtime; one of the best straight-forward dramas in recent years.

Campion ends her drought with a boringly high-brow western that says nothing to an audience that will struggle to care.