More focused on preserving its twists than conveying its poignant themes, Bliss is still an intriguing product of a definite creative vision.

An intoxicating revenge flick, even when it gets caught between character study and psychological thriller.

A deeply personal film with effortless storytelling, Minari deftly portrays the cost of hard work and its effects on those around you.

Zhao’s picture helps us see a different lifestyle in our society and the people living it.

Pixar’s least accessible, but most experimental film to date; a jazzy work of art for those who take the time to explore its depths.

Taps into the poetic and cerebral aspects of its source, serving as both companion piece – and examination of – Citizen Kane.

A tight, claustrophobic thriller that entertains in a broad way while impressing on a cinematic level; one of the most consistently entertaining films of the year.

All style and no substance, this so-called Christmas musical may look fantastic, but offers little else.

Flooding with subtext, Olsson’s labyrinthian film tries too hard to keep secrets, despite flashes of genius from the director.

Will be objectively obtuse and unreachable for some, Kaufman’s film still ekes out some important themes amidst his brilliant technical filmmaking.