Disney’s latest algorithmic feature has no grasp on the storytelling tricks of its adventure influences or the undisputed quality of the studio’s past.

The sequel to the Shrek spin-off movie isn’t just surprisingly great but one of the wisest and deepest animated movies in recent years.

McDonagh turns out yet another masterpiece, balancing cerebral and lyrical in this allegorical think-piece about our preoccupations with society’s opinions.

A modern-day adaptation and quasi-sequel to Dickens’ A Christmas Carol that soars with an energetic narrative and thoughtful premise.

A flawed masterpiece that’s the best cinematic version of Pinocchio yet with possibly the most impressive stop-motion ever.

A biopic parody that’s endlessly enjoyable in the way the best comedies used to be – and like its subject matter (somehow) still remains.

A clever crime caper with funny bits, likable leads, and a wealth of interesting personalities to go around.

More an update than a sequel, the Sanderson sisters’ return puts almost the same ingredients into its messy cauldron.

While still a mostly entertaining film, this reboot has a harder time balancing comedy and noir conventions.

A bland remake that inexplicably copies the same beats as the original while bordering on unintentional self-parody.