Dear Santa (2024)
A subpar comedy effort that’s less a return to form for the Farrelly Brothers and more a return to sender.
A subpar comedy effort that’s less a return to form for the Farrelly Brothers and more a return to sender.
Park’s sophomore feature finds real magic in her lo-fi comedy from the personality both behind and in front of the camera.
The tale of SNL’s opening night will be fun for fans but never really sings, buckling under the pressure of its limited scope.
In a film – and a world – where identity should matter, Emilia Pérez forgets its own and who its protagonist truly is.
Filtering the dynamics of fame through the prism of insanity, Phillips shines light on our own fixations and what it actually means to be crazy.
Blurs the line between documentary and dramatization, an inspiring film that devolves into a VH1 behind-the-scenes episode.
A surrealist anthology that rises above its loose plot structures and obscure themes to deliver an intriguingly crafted, one-of-a-kind experience.
A decent action-comedy that’s mostly funny until it’s not, with good chemistry between Awkwafina and Cena.
Proving that its star franchise isn’t undefeated, Illumination produces a real dud of a fourth installment with an unfunny script that feels unfinished.
Murphy finally returns to ‘80s form without resorting to impersonating his former self in this exemplary model of a legacy sequel.