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A surrealist anthology that rises above its loose plot structures and obscure themes to deliver an intriguingly crafted, one-of-a-kind experience.

A decent action-comedy that’s mostly funny until it’s not, with good chemistry between Awkwafina and Cena.

Proving that its star franchise isn’t undefeated, Illumination produces a real dud of a fourth installment with an unfunny script that feels unfinished.

Murphy finally returns to ‘80s form without resorting to impersonating his former self in this exemplary model of a legacy sequel.

Provides food for thought on the transitory nature of success and how a celebrity’s role within the zeitgeist affects the celebrity themselves.

Despite an idealistic ending, the ever-versatile Linklater’s narrative yarn is near-perfect and a strong showcase for Glen Powell’s talents.

Not without its charms, but grimy dive bars and VOD gloss never blend well enough to make this remake stand on its own.

The Zellners’ dark dramedy may not live up to expectations of a slice-of-life Sasquatch story, but still manages to leave a sizable footprint.

A high-concept premise turns into a low-concept movie as Peter Farrelly’s refreshingly R-rated comedy has nowhere to go.

Attempts a fresh spin on a classic trope, but despite Millie Bobby Brown’s captivating performance wasted potential holds it back.