Maggie Moore(s) (2023)
Seriously dark and accessibly strange, John Slattery’s crime comedy remains fun and coherent despite its intricate yarn.
Seriously dark and accessibly strange, John Slattery’s crime comedy remains fun and coherent despite its intricate yarn.
While still a mostly entertaining film, this reboot has a harder time balancing comedy and noir conventions.
Builds perfectly on the original film and soars even higher to give us a blockbuster sequel we didn’t know we needed.
Turturro’s vanity project winds up being a disappointing and pointless follow-up to its 1998 progenitor.
A handful of stories intersecting and masquerading as a single tale; overstuffed and overlong.
An amusing story with hilarious slapstick stitched together with sub-par writing and uneven acting.
Not the series’ best, but proves to be charming, cute, and funny – much like the yellow Minions themselves.
Transitions from an awful alternative parenting comedy to a soppy romantic drama, one that hinges on a hopelessly predictable outcome.
A blending of the gross-out buddy movie and romantic comedy balanced with a generous helping of heart that both men and women will appreciate.