It’s Popzara’s Movie Time! Podcast, where our in-house movie nerds Ethan Brehm and Nate Evans take you on an unscripted journey yakking and chatting about some of their favorite movie moments and cinematic scenes, from past and present, presented without snark and snobbery for your listening pleasure.
On this episode our hosts explore two examples of classic and neo noir from entirely different generations of filmmaking (and filmmakers) where the best-laid plans of mice and men often go awry, with delightful results for those in the audience.
First is 1954’s Dial M for Murder, Alfred Hitchcock’s adaptation of Frederick Knott’s play where the “perfect murder” meets an imperfect world. Featuring an unforgettable performance by Hitchcock-favorite (and future real-life princess) Grace Kelly, the film would become a popular template for generations of thrillers where the fun comes from watching a well-oiled machine go off the rails.
Next is 1981’s Body Heat, the directorial debut from Lawrence Kasdan (writer of The Empire Strikes Back, Raiders of the Lost Ark) starring William Hurt and Kathleen Turner (also making her film debut) that pairs classic film noir with erotic thrills in one satisfying, sexy package. It would likewise become the template for countless other erotic thrillers that would dominate the 1980s, made even better by John Barry’s unforgettable score and Richard H. Kline’s dazzling cinematography.
What’s the difference between classic noir and neo-noir? Did you know Hitchcock’s film was originally filmed and meant to be viewed in 3D? Did a murderous femme fatale inspire Jessica Rabbit? Can a murder mystery still be a whodunnit when you already know who dunnit?
