A Different Man (2024)

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What happens when the way we see ourselves doesn’t align with how others see us? Aaron Schimberg’s A Different Man explores this, questioning whether dramatically changing your appearance could ever truly change your perception of yourself. In a world obsessed with outward appearances, the film probes whether becoming the version of yourself you imagine would bring happiness or if it’s simply an illusion. Through dark humor and psychological insight, it examines how confidence, insecurity, and societal judgment shape our lives and whether any external or internal change can bring the fulfillment we crave.

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Sebastian Stan plays Edward Lemuel, a struggling actor with neurofibromatosis, a condition that dramatically disfigures his face. He undergoes experimental surgery and adopts a new identity, “Guy Moratz”, claiming Edward has died. As Guy, he finds success in real estate, but his past resurfaces when Ingrid (Renate Reinsve), a former neighbor and aspiring playwright he’s romantically involved with, creates a play based on his former life. Edward auditions for the lead role, and Ingrid remains unaware of his true identity.

Tensions rise when Oswald (Adam Pearson), a confident man with the same condition, joins the production and eventually takes over the role. Edward’s jealousy spirals into violence, leading to a dramatic breakdown and, years later, a haunting reunion with Oswald and Ingrid, who comments that he still hasn’t changed.

While renown for his work in the Marvel universe, Stan proves in A Different Man that he’s capable of much more, taking on a complex role that truly showcases his range. It’s unfortunate that this performance isn’t getting more recognition, especially when compared to his more flashy, controversial role in “The Apprentice” (portraying a young Donald Trump). Though the latter may grab more attention, Stan’s work in A Different Man is hauntingly perfect, aided by some of the best makeup of the year.

The supporting cast plays a crucial role in the film’s emotional impact. Adam Pearson’s portrayal of Oswald is a revelation; his quiet yet powerful charisma both intimidates and captivates Edward, further highlighting his internal struggle. Renate Reinsve’s Ingrid is no less compelling. As the playwright who unknowingly becomes a key figure in Edward’s unraveling, Ingrid’s motivations are layered and ambiguous, adding tension to the story. The interplay between her, Edward, and Oswald propels the narrative toward its heartbreaking conclusion.

At its core, A Different Man is a sharp commentary on self-worth and our obsession with appearances. Edward’s journey shows the gap between changing how you look and healing what’s inside. Even with his new face, his insecurities remain, underscoring that external beauty can’t fix deep emotional scars. The contrast between Edward and Oswald reveals how perception shapes reality – Oswald’s confidence earns him acceptance, while Edward’s self-doubt isolates him. The film challenges viewers to reflect on their own biases and beliefs about beauty, value, and identity.

Schimberg’s direction elevates every part of the film, from its tight framing to its careful pacing. Each shot feels intentional, pulling the viewer deeper into Edward’s world. The makeup, music, and cinematography work together to create an experience that’s as beautiful as it is unsettling. Like a film from Charlie Kaufman, Schimberg (also the screenwriter) blends dark humor, surreal moments, and emotional depth to craft a story that feels both strange and painfully relatable. Even moments that could be seen as offensive are handled with such self-awareness and care that they feel integral to the narrative, never exploitative.

Ultimately, A Different Man is a chilling exploration of identity, desire, and the complexities of the human condition. The combination of dark humor and unsettling imagery make for a captivating, thought-provoking experience. As someone who’s long admired Sebastian Stan’s work, I was especially struck by his raw, vulnerable performance, and this film showcases his versatility, highlighting his ability to tackle complex, morally ambiguous characters. A definite must-watch for anyone who appreciates bold, unconventional storytelling.