Hellraiser (2022)
A well-made reboot that lacks the originality and visceral horror of Clive Barker’s original.
A well-made reboot that lacks the originality and visceral horror of Clive Barker’s original.
More an update than a sequel, the Sanderson sisters’ return puts almost the same ingredients into its messy cauldron.
While still a mostly entertaining film, this reboot has a harder time balancing comedy and noir conventions.
A bland remake that inexplicably copies the same beats as the original while bordering on unintentional self-parody.
Aggressively unfunny, coming off like a cynical exercise in algorithmic film production.
Skydance Animation’s inaugural feature soars with incredible world-building and balanced filmmaking.
B. J. Novak’s feature debut doesn’t blend genres so much as it purees them into something lesser than its individual parts.
A well-made film based on an irredeemable premise that isn’t the comedy it’s pretending to be.
Often overstimulating with sci-fi randomness, the Daniels’ sophomore outing is a wildly cinematic existential treat.
Superhero action and comedy for the whole family that’s no secret to fun.