Strange World (2022)
Disney’s latest algorithmic feature has no grasp on the storytelling tricks of its adventure influences or the undisputed quality of the studio’s past.
Disney’s latest algorithmic feature has no grasp on the storytelling tricks of its adventure influences or the undisputed quality of the studio’s past.
A cynical, yet often lovable, cash-grab sequel that won’t offend fans of the original 1983 Christmas Story.
A mediocre rom-com that elevates LGBTQ activism over comedy, led by an unlikable and miscast Eichner.
A well-made reboot that lacks the originality and visceral horror of Clive Barker’s original.
More an update than a sequel, the Sanderson sisters’ return puts almost the same ingredients into its messy cauldron.
A bland remake that inexplicably copies the same beats as the original while bordering on unintentional self-parody.
B. J. Novak’s feature debut doesn’t blend genres so much as it purees them into something lesser than its individual parts.
A well-made film based on an irredeemable premise that isn’t the comedy it’s pretending to be.
Stuck between nostalgia and family entertainment, Disney’s meme-fested reboot rarely lands a single joke.
A high-concept effort with low stakes that befuddles as much as it underwhelms.