Dear Santa (2024)
A subpar comedy effort that’s less a return to form for the Farrelly Brothers and more a return to sender.
A subpar comedy effort that’s less a return to form for the Farrelly Brothers and more a return to sender.
The tale of SNL’s opening night will be fun for fans but never really sings, buckling under the pressure of its limited scope.
In a film – and a world – where identity should matter, Emilia Pérez forgets its own and who its protagonist truly is.
Proving that its star franchise isn’t undefeated, Illumination produces a real dud of a fourth installment with an unfunny script that feels unfinished.
Not without its charms, but grimy dive bars and VOD gloss never blend well enough to make this remake stand on its own.
A high-concept premise turns into a low-concept movie as Peter Farrelly’s refreshingly R-rated comedy has nowhere to go.
Attempts a fresh spin on a classic trope, but despite Millie Bobby Brown’s captivating performance wasted potential holds it back.
This cute Christmas flick suffers from an uninspired director and leading man who should be on the naughty list.
A disjointed comedy with unfunny, incompatible leads that’s barely held together by a decent supporting cast.
Despite Fincher’s signature style and technical prowess, a reliance on clichés and uninspired writing hampers its uniqueness in the crowded revenge thriller genre.