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The film’s fresh ideas and practical effects, while reminiscent of Burton’s best work, are too few and far between to lift this sequel out of the shallow grave of nostalgia.

Despite decent impressive effects, this Alien installment never seems interested in building an identity outside what had already been accomplished.

Competent directing and an auteur’s voice aren’t enough to save Trap from bizarre dialogue and a squandered premise.

Suffers from the waning novelty of the original film’s premise, failing to justify its importance besides as an extended cut of the previous film’s opening scene.

Overstuffed with nostalgia, a bloated cast, and a confused narrative, this multi-generation team-up struggles to channel the spirit of the Ghostbusters franchise effectively.

Despite leaning into campiness, Argylle never commits fully, resulting in a film that’s neither funny nor thrilling, just awkwardly misguided.

A bloated mess of tired tropes and confusing worldbuilding, the Aquaman sequel sinks the DCEU with a lazy shrug.

A whimsical but dreadful prequel; Chalamet is completely miscast, the production drowned in CGI sludge, and the new songs easily forgettable.

A film concerned more with shocking its audience than telling a coherent story, Emerald Fennell’s sophomore effort is a mostly shallow spectacle.

An over-reliance on flashbacks and a rudderless tone help make this the worst, and shortest, MCU installment yet.