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A subpar comedy effort that’s less a return to form for the Farrelly Brothers and more a return to sender.

A poorly executed meta action-comedy matching Jackie Chan with an equally poorly rendered CGI panda.

The tale of SNL’s opening night will be fun for fans but never really sings, buckling under the pressure of its limited scope.

In a film – and a world – where identity should matter, Emilia Pérez forgets its own and who its protagonist truly is.

Contains everything that made the first two films into mega hits, even if the premise is starting to smell a little funky.

A musical sequel that completely misses the mark on what should have been a compelling and chaotic love story between the Joker and Harley Quinn.

The film’s fresh ideas and practical effects, while reminiscent of Burton’s best work, are too few and far between to lift this sequel out of the shallow grave of nostalgia.

Despite decent impressive effects, this Alien installment never seems interested in building an identity outside what had already been accomplished.

Competent directing and an auteur’s voice aren’t enough to save Trap from bizarre dialogue and a squandered premise.

Proving that its star franchise isn’t undefeated, Illumination produces a real dud of a fourth installment with an unfunny script that feels unfinished.