Hits all the right notes to properly honor its source material; filled with enough fan service to make fans smile.

An unconventional, yet nuanced, look at how creativity and our childhood can coalesce into adulthood.

When android are real, McEwan presents a cautionary look at whether humans could handle the reflection of the world they’ve created.

Michaelides’ excellent debut weaves elements of classic Greek plays into a modern psychological thriller in tense, satisfying fashion.

Debauched, disturbing, and wildly entertaining; a rock biopic barely about the music, but then so was Mötley Crüe.

The latest reinvention of the character is stuck between an origin story and a sequel, committing to neither.

Bobby Hall/Logic’s literary debut never attempts to dig below the surface of the ideas it’s clearly stealing from.

Does nothing to address how the miserable future it suggests can be avoided, offering a gobbledygook message that shouldn’t be taken seriously.

Brings a taste of Popova’s Brain Pickings site offline for those who question what defines life for each of us.

Perfectly meshes horror with conspiracy theories; lacks the social undertones of Get Out but is ultimately the better film.