Campion ends her drought with a boringly high-brow western that says nothing to an audience that will struggle to care.

Familiar faces, practical effects and fun creature makeup which might make this an annual B-movie holiday treat.

Generic, yet watchable, Berry’s directorial debut lands too many misery punches to be worth getting in the cage to begin with.

The promise of a refreshing genre mash-up never gets realized in Wright’s stagnant pseudo-horror.

Visually crafty, Hall’s directorial debut is a bait-and-switch version of its highly intriguing concept.

A fun, heartfelt, and often exciting post-apocalyptic movie with a ton of laughs that don’t detract from the emotional resonance.

Self-aggrandized and stiff, Villeneuve’s rendition is more proof Herbert’s material may not be suited for cinema.

An improvement over its predecessor, the creepy and kooky family is given new life with with an unexpectedly preposterous road trip premise.

Both refreshing and repelling with its absurdities, a film that comes alive with some of the best production design of the year.

An inversion of expectations make this horror sequel/prequel among the more original and audacious in the genre.