This ain't no joke!
Just in time to grab some home-video (or should that be DVD?) dollars to cap
off a summer filled with everything comic book fans love to love, one of DC
Comics most unstoppably powerful creations returns to the world of animation
once more in this six-piece anthology film from the producers of Batman
Begins and (you guessed it) The Dark Knight. While cinema has always
welcomed the character whole-heartedly, animation practically adopted it long
ago, with many Caped Crusader fans (including yours truly) finding the mid-90s
Batman: The Animated Series the best overall adaptation of the character and his
many adventures.
Much as they did with the build-up and subsequent release of the (hopefully)
final Matrix films, Warner Bros enlists the help of both talented Japanese anime
production houses and some choice comicbook writers, particularly those familiar
with the Batman mythos. Six separate stories, each with their own unique
style and some semblance of a continuing storyline connect and help create the
running time of this made-for-home feature film. Although ambitious, the
overall effect is dulled somewhat with reused ideas from Batman's long, long
legacy and whatever ambitions to create a connective framework by the end is
largely abandoned. The only thing each story has in common -aside from a
love for men in batsuits - is the welcome return of voice-actor Kevin Conroy,
who played the character in every post-90s animated version and has the
distinction of playing the character longer than any other.
In case you're curious, the animation quality varies as much as the
individual pieces themselves. Although nothing here goes beyond the
typical OAV (Original Animation Video) level of quality, each section contains
its own sense of style and varying degrees of sophistication. This was
bound to be the case, given that five different animation studios worked on the
feature, with just as many writers. As I'm not personally as 'involved' in
the intricate - sometimes frightening - world of Japanese animation as I used to
be, I can't say that any of the individual houses at work here stood out on name
recognition alone, although for my money it was the work of Studio 4°C (Working
Through The Pain) that was by far the most impressive here, thanks to a
particularly strong story by comicbook writer Brian Azzarello.
While I understand the need to help showcase the varying personalities and
ways to visually present this character (dependant on which anime house is
producing), the overall effect is largely nullified simply due to the fact that
since his creation in 1939, we've already seen many variations of this character
- with almost every one of them popular in their own right. Nobody would
mistake the Adam West creation for Tim Burton's macabre take on Bats, nor would
anyone confuse Christopher Nolan's recent Batman films with the also-recent The
Batman animated series. Yet, they're all Batman and easily recognizable as
such. Perhaps there's just something inherently archetypical with the
legend of Bruce Wayne and his vigilante doppelganger (or should that be the
other way around?) that folk just 'get'... but history alone won't help fans
from enjoying this showy - if predictable - perspective on the character.
Anime fans will probably eat this one up more than hardcore Batman fans will,
if only because the product itself was always meant to be larger on style than
progressing any inner Batman mythos. Still, for what its worth Batman:
Gotham Knight is still a nicely produced, tight little package that looks
great and is fun to watch. Of course, if its real purpose is to get fans
excited for the upcoming Dark Knight theatrical bonanza, they needn't
have worked so hard - our tickets were already sold after Batman Begins.