The five Kung Fu Masters have been training since birth to ready their bodies
and minds in preparation for the upcoming millennium ceremony that will crown
one of them the venerated Dragon Master. Under the skilled tutelage of
Head Master Sifu (Dustin Hoffman), Masters Tigress, Monkey, Mantis, Viper, and
Crane have the discipline and fortitude necessary to take on any challenge -
except one. Enter Po (Jack Black), the laziest and fattest creature in all
of ancient China. Raised from birth to take over the family noodle shop,
he's a kung fu otaku at heart with dreams of glory that match his oversized
belly. Recipe for disaster? You bet, but certainly one of the
tastiest and more entertaining films this summer. Yeah, I'm shocked too.
Kung Fu Panda is the latest (and possibly greatest) work from
Dreamworks Animation, who for years have always played second fiddle in the
world of CG animation to Disney and Pixar's lesser works. But after a
string of questionable work stuffed to the gills with celebrity voices and
pop-culture references, the powerhouse company may have finally found their
comfort zone (after Shrek)
and could possibly signal what the future has in store. If their closest
competitor, Pixar Animation, is gunning to pick up the reigns of Uncle Walt,
then Dreamworks has probably realized there's nothing wrong with following in
the footsteps of Chuck Jones, Schlesinger, and the rest of their Merry Melodies.
Anthropomorphizing these legendary themes is a smart choice visually, as the
very best kung fu flicks from the past reference them to frequently.
Generally this translates into some of the best and most well-designed
characters I've seen recently. In bringing this kung fu tale to life, the
artists behind the scenes have crafted some truly incredible sights and sounds,
with amazing character work and depth of character. Oogway the wise,
sagely turtle is a work of genius and is a great representation of the attention
to detail and heart at work here. When everything is working onscreen, its
magical and one of the most visually pleasing films I've seen in years, quite
the shocker when you consider how its been packaged and sold to audiences.
Walk in without prejudice and you'll come rolling out a fan.
Typically when Dreamworks casts one of their animated films, its marquee-name
first, talent second. Gloriously that tradition is broken here (mostly) as
the spotlight is first and foremost on the vocal wizardry of its main
characters. The results are a finely crafted piece of proper animated
storytelling, which wisely allows the personalities of its performers to steal
the show when all cylinders are firing away. Jack Black as Panda Po
is...well, he's Jack Black. Certainly his best work since School of
Rock, Black is a gifted comedian with impeccable timing, and while he often
shows up in films that underutilize him, here the funnyman delivers the goods
and is hilarious. He's back, he's fat, but don't let the padding fool ya!
Squadoosh!
Dustin Hoffman has a great time as Head Master Shifu and straight man to
Black's Po. Like Black, the veteran actor has a gift for the funny, and
its great to see him really cut loose here. The rest of the main cast is a
good mix of popular and indie talent, with the likes of Angelina Jolie (Master
Tigress), Lucy Liu (Master Viper) playing nice with David Cross (Master Crane)
and Seth Rogen (Master Mantis). While it was wonderful to hear James Hong
(Mr. Ping) again, Jackie Chan (Master Monkey) was a missed opportunity...loved
the character, but I can't remember if he spoke more than three lines.
Also, I'd be doing everyone a disservice if I didn't single out two
performances in particular, neither of which I was looking forward to going in,
much less even aware of. Ian McShane (Deadwood) is masterful and absolutely
thrilling as the evil and power-starved Tai Lung. His portrayal of the
denied Dragon Warrior was surprisingly intense, and vicious to the point of
being downright scary. During one especially animated scene I heard a few
kiddies in the theater start balling their eyes out - scary stuff! On the
flip side is Randall Duk Kim (The Matrix Reloaded) and his delicate,
but wise Oogway the turtle. Seldom is mass-market voice acting this
spot-on great, and when considering the heavy dialogue these characters chant
throughout, I couldn't help but feel Panda's ambitions ran much, much
deeper. Extraordinary stuff.
As a lifelong fan of animation in all its forms, Kung Fu Panda made me very,
very happy. The film starts out with a cell-shaded homage to the best
moments in Shaw Brothers Kung Fu history (look 'em up), and when the main course
starts, never lets up. I've always had faith in Dreamworks Animation to
deliver the goods, but nothing could have prepared me for the spectacular look
and feel with what's up on the screen. There's a particular
texture at play here, brought to surreal life in a fully realized and complex
fantasy land China populated by rabbits, geese, and more than a few pigs.
My first thought was Robin Hood (Disney 1973 version) meets The
Incredibles, remixed to the very best early Jackie Chan cinematic
adventures. There's such a divergence of styles and attitude, explosions
of color and action that the result isn't just the best looking Dreamworks film,
but one that rivals (aesthetically) the best Pixar has put together. Your
eyeballs will thank you.
The film's musical score, with shared duties between Hans Zimmer and John
Powell (who incidentally both worked previously on White Fang) gets the
job done reasonably well and never sounds stale or rehashed. Both
composers have roots in animation that run deep, with The Lion King,
The Prince
of Egypt, Antz, and Shrek between them. Good stuff, and helps serve as a
powerful companion to the stunning animation. Also, the classic "Kung Fu
Fighting" redo by the amazing Gnarls Barkley accomplished the impossible by
making the song fun and relevant again - amazing!
Kung Fu Panda is a breath of fresh air for Dreamworks Animation, and
depending how they handle their increasingly excellent animated line-up, fans
can point to this gem as a pivotal moment. Vastly better than 90% of its
family-friendly animated competition (and miles better than
Shrek the Third),
Panda is a fun and intensely fun to watch piece of work that should appeal to
just about everyone in the family. Animation fans will be in heaven with
some of the cleanest, most fluid and artist examples of the art form ever put
on-screen, and I'd really like to hang out with these characters again.
Kudos to everyone involved for one of the best movies this summer...believe it!
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