An incredibly effective and spooky piece of low-budget horror that puts most others to shame.
| Movie Summary |
Popzara Rating |
Paranormal Activity is a smart and smartly-directed piece of supernatural horror that really works, and for some viewers will probably be the scariest film they've ever seen. With a budget that's less than most films' catering services director Oren Peli's directorial debut manages to make closing doors and footsteps a terrifying experience without excessive blood and stupid teenagers doing stupid things. Like fellow low-budget superstar The Blair Witch project it may not hold up over extended viewings, but that first ride is totally worth it.
| Release Date: | 09/25/09 |
| MPAA Rating : | R |
| Studio: | Paramount Pictures |
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Written by Evan Nathans
Paranormal Activity has become the most
talked-about horror film in years, certainly the most touted since The Blair
Witch Project defied the odds and become one of the most profitable movies ever.
Writer/director Oren Peli’s debut feature is the latest in a string of pseudo
gonzo-style ‘found’ footage horror, purporting to be the genuine article and
working hard to maintain that illusion throughout. Largely discarding
traditional opening/closing credits, it even opens with a memorandum to the
surviving family members of the two onscreen 'victims' for added effect.
Kate (Katie Featherston) and Micah (Micah Sloat) seem like any other couple.
She’s a student and he’s a day trader, and both seem like the textbook
definition of young love. Only Kate has a secret; she’s been receiving
nightly visits from an invisible entity since childhood, causing her untold
levels of stress and anxiety. While most boyfriends would run in terror at
the prospect of a haunted girlfriend, Micah proves himself an excellent partner
for his future fiancé. While a prognosis psychic Dr. Fredrichs (Mark
Fredrichs, in keeping with the real-name scheme) fails to convince him that
Kate’s supernatural visitor(s) may be the real deal, the nocturnal footage and
audible bits gleamed from his stationary digital camera prove far more
effective.
Much of the film’s running time is set establishing Kate and Micah as real
people, simply going about their day-to-day business much like anyone else.
But we're not here to see what's essentially a collection of YouTube clips sewn
together, we're here for some thrills and chills. The various ‘ghost’
effects that appear on camera are handled well and look authentic, timed for
maximum scariness and audience screaming. This works largely because low-budget filmmaking
compliments the horror genre so well, and director Peli wrings more natural scares from a door slamming
and swinging chandelier than any big-budget monster I’ve ever seen. One
need only look at the endless train of ‘torture porn’ sequels that pop up
annually in theaters, each looking to out-gross the other with disemboweled
innards and rivers of blood splattered strategically across the screen.
This film has none of those things, comfortably aware that sometimes the
scariest things are what you don’t see.
Where things begin to fall apart slightly is when the two ultimately become
aware that there might be something behind those bumps in the night, which
forces the film into generic and predictable modes. The couple's various
conversations with friends sound phony and almost break the mood. Micah too often resorts to acting extremely stupid,
making the same rookie mistakes that most guys in similar horror-movie fashion
make for whatever reasons. Watch him bring the Ouija board into the mix,
despite being warned against it. Watching him strut about, egging the
supernatural being on in some bizarre show of machismo feels tacky, just as his
insistence that everything be documented on film. You get the feeling that
he’s almost enjoying whatever torment Katie’s going through, even grateful for
the chance to make America’s Spookiest Home Video.
As the film has been floating around in some form or another for nearly two
years there have been many reviews and opinions about what to think of this.
Some have called it overrated and overhyped, not at all deserving of its
cult-like status that so many seem to be heaping upon it. I couldn’t
disagree more.
There were groups (plural) of mostly kids and teenagers outside the theater who thought this was
real, feverishly calling and texting their friends to go see it for themselves.
Of course, a great deal of this 'spontaneous' social-networking was heavily
encouraged by the distributor ("Demand It!") but using online groups and
services is a justifiable advertising effort, and a killer one if the movie is
any good. Considering the film's zero-budget roots and lack of recognizable stars that
it had a theatrical release at all is something of a miracle, and would
suggest critics not let others dictate their levels of enthusiasm and
expectations in the future. I'm just saying.
Paranormal Activity is a smart and smartly-directed piece of
supernatural horror that really works, and for some viewers will probably be the
scariest film they've ever seen. With a budget that's less than most
films' catering services director Oren Peli's directorial debut manages to make
closing doors and footsteps a terrifying experience without excessive blood and
stupid teenagers doing stupid things. Like fellow low-budget superstar The
Blair Witch project it may not hold up over extended viewings, but that first
ride is totally worth it. |